4,254 Royalty-Free Audio Tracks for "Bass"

A chair i moved over a stone tiled floor. Keeps getting heavier and noisier, quite eery in the end. Recorded with sony tcd d10 pro ii & sennheiser md21u.

Can use for what ever you want, (even for commercial) i relinquish all rights to this audio. Game ended 41 to 42, we won. No credit needed.

Throwing a very big log on the ground, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This is one from when i first got into digital music. I "penciled" in midi graphs, and manipulated other samples from a buddies sound bank, thus creating. . . Pollie soft. I love the mumbling bass rhythms in the background under the subtle jazz hits, maybe?.

I used a plug-in called harmor on fl studio 11 and i messed around with highpass and lowpass filters with a very wide resonance. Of corse you can use this ''thing'' for whatever you want because it's totally unoriginal and easy to make.

Mixed my own bass drum loophttps://freesound. Org/people/gis_sweden/sounds/427767/with these fine soundshttps://freesound. Org/people/hello_flowers/sounds/41017/https://freesound. Org/people/pitx/sounds/15390/just for fun. 120 bpm.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsafacebook. Https://www. Facebook. Com/simplesamplesweb.

Keyboard clap deephouse edm loop sample masteredi made the score in maestro. Edited: adobe + fxs + mastered.

An ambient loop created in logic 9 using stock synthesizers testing newly constructed patches. Key: em. Bpm: 140.

This is a song i made years ago when i was first learning fl studio 12. Feel free to use it when ever. And send me your work if you do! i'd love to hear it. Bpm is 120. No clue what key it is.

Unusual song short 27. Wrote/recorded an unusual song. Using stock plugins in ableton live 9. Used ezbass from toontrack for the bass. Recording guitar direct into scarlet 18i20. Additional notes:-13. 4 lufs integrated-3. 6 db true peak max.

A super heavily compressed and saturated snare with a decently long noise tail. Fun to pitch up or chop and throw into a break. Used in my upcoming hybrid-v ep release.

A 12-minute track of gentle ocean waves and a light breeze. Includes bits of "xerokambos beach 01-sep-11 60m 24bit. Flac" by subtyrant as well as "marée basse / low tide sables d'olonne france" by indieground, both of which are cc0 licensed. Download, share and enjoy!.

Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.

Just a groove/funky sound. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

8-bit/nintendo inspired electrohouse track. Ableton live, with the free vst's: toad and peach.

There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.

17 modules. . . Just to create a beat like this. . . Don't get a modular synth :-dhmmm i can use the same noise source for high-hats and snare if i want -1 then.

I recorded a thunderstorm with my samsung galaxy m20 out of my bathroom for 10 minutes. There is a corrugated plastic roof, which gives the rain a nice, but also a tinny sound. That's why highlighted the bass sounds and reduced the high noises for a better experiance. I also looped it, so it is 30 minutes long with fade-in and fade-out. Enjoy!.

Cinquième pièce en do, extrait de "l'organiste" de César Franck. Harmonium Alexandre Debain de 1878. Registration : Basse=(5) Dolce, Dessus=(1)Flûte et (4)Hautbois

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the bass track and was made with the Ableton Analog instrument.

Wrote/recorded a short jazz song at 120 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Additional notes:-15. 1 lufs integrated-3. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

An acoustic bass guitar synthesized using supercollider. Here's the code. Synthdef(\help_dwgplucked, { |out=9, freq=52, amp=0. 7, gate=0. 01, c3=22042,release=0. 5, pan=0| var inp = playbuf. Ar(2,buffer. Read(s, "/path/to/acoustic bass test. Flac",0,5900,action:harmonics. New(4096))); var son = dwgplucked. Ar(freq, amp, gate,0. 6,0,c3,inp,release);amplitude. Ar(inp,0. 5,2); out. Ar(out, pan2. Ar(son * 0. 04, pan)); }). Add;pbind( \instrument, \help_dwgplucked, \delta , pseq([0. 25,0. 5,0. 75,1]*1,inf), \dur , 1, \note, pseq([-3,0,3,7],inf), \stepsperoctave, 12 ). Play;.

Exciting music i made in garageband for something called victors crypt!. Started out with a drumbeat as well as a bass-line. Did that bass pretty fat and in your face and added some instrumental spice to it. Think it would suit anything creepy, scary, cool, big, suspence, horrific, sci-fi, mysterious or anything you can think of. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

Recorded on iphone, eq, filtered and mastered. I made it with my nails passing them over the table.

A simple beat. I have shaped this kick myself in the modular synth. The high-hat is from barton musical circuits decaying analog noise (bmc23). The other sound is a small sample. . . Analog delay on that sample.

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

24-bit analog saw wave oscillators from the arturia microbrute. - ranges from c0-b6- recorded through a focusrite scarlett 2i4 into ableton without any additional processing- samples are recorded @ 120bpm and are 4 bars each (8 seconds). Enjoy.

A short ringtone made by feeding a 4 bar mixolydian melody through a granular synth, and a bass tone made with native instruments' massive. I intend on using this to wake up to every morning, and i hope it's useful for whatever situation you'd like to apply it to. :-) no credit necessary.

A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).

A pulsating softly bass sound depicting a ufo-like sound with some echoing tonal sounds that have a wavering harmonic range. This sound was created from manipulated waveform generated sounds. However, if you decide to use this in a movie, video or podcast send me a note, thx.

This sound is a ufo sound effect created from a waveform generator(can't remember which program i used). Nothing was thought out, sound was manipulated by ear. However, if you decide to use this in a movie, video or podcast send me a note, thx.

Create trốn 10 sound from fullmetaljedi’s «d4xx__bass-impact" sound. Audacity:. - cut from 1. 000s to end (remove). - effect→fade out (0. 000s to 1. 000s). - copy. - create→add new→stereo track. - paste at 0. 000s. - effect→change pitch…semitones (half-steps): 6. 00.

Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumsroll trance trance sample compressed tight drum.

Holding a metal bell by its tongue, i’m rhytmically shaking it to make this sound. Reminds sleigh bells a bit. Sound of a couple of links joining the tongue to the bell body is prominent. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

After reading about how the winstons’ drummer never got a penny in royalties for the tens of thousands of times the amen break was sampled, i created this tribute in hydrogen and audacity using a free kit. Have fun!.

Musique traditionnelle. Il est allé se baigner : chant de féticheur du Moyen-Congo [accompagné au nsambi (pluriac)] ; recueilli et enregistré par H. Pepper.

This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

A devilicious bit of music i made in garageband for something called victors crypt!. Got a massive bass to match that drumbeat going on. Added some clavs to make it more "funky" in a dark freaky way. Hope you'll like it!. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This file was modified (converted from stereo to mono) and uploaded here in order to use it and study it in our asp class on coursera. The original author of this file is ssteve (http://freesound. Org/people/ssteve/). The original stereo sound file is located here: http://freesound. Org/people/ssteve/sounds/328627/.

Playing the yocto drum machine through a busted karaoke machine i found at a flea market. Very distorted sound, should loop perfectly, 8 bars. First loop.

Halloween firework captured from circular courtyard, bass roll off applied. Zoom h4n, 16 bit 44. 1khz, 90 degree stereo.

Recorded on a phone, mysteriously, as a message on my answering machine. I have no knowledge as to who recorded it, where it was recorded, or whether it came from a live performance or not. All of the segments of this set combine sequentially, to form the full phone message.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

Low and calm heartbeat sounding very electronic. Perfect for backgrounds, filling and effects. Pay attention: the sound is very low frequency, you'll not hear it unless you wear good quality headphones or speakers. Also make sure your equalization configurations let low frequencies get through.