4,254 Royalty-Free Audio Tracks for "Bass"

My piano music on my youtube channelhttps://www. Youtube. Com/watch?v=e0p-217_b8y. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

Feel free to use the sound anywhere you want (even commercially). If you can, please, give us feedback. We care. Get the the remaining 146 mb of modern basslines sample pack at our website. Www. Audiowizzards. Com. Made using the amazing mpowersynth + our very own fx chain [which is going to remain our little secret]. Thank you.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or tojust jam with. That's why i create these types of loops; they help me create full finishedcompositions. If you would like to check out my music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

This is a section of the pack with 50 bass drum varieties. Most of them are just minor changes and they resemble extremely "similar" sounds however they're based on different wave forms which are mixed together to form varieties. Other parameters were mashed, some may have distortions some may not. All the sounds you hear are synthesized. Generally these sounds are for dance music, some of them are well suited for more experimental music as well. But it should not be limited to just techno or trance. . . .

Free short dark music on my youtube channelhttps://www. Youtube. Com/watch?v=xu480fyi0ua. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1?locale. X=cs_cz&fbclid=iwar3iug1wfkdtbg7xqt8bwbkj-sw1ck2jagtdab66olszrdcy6c7atzbki0c. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This is a loop created using fm8, serum and battery. Not completely sure what genre to class this sloop as but gone for electro. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

A nice crowded coffee shop (coffee shop sounds only, no music). I was looking for a diy solution to loop coffeeshop sounds along with playlists for working at home, and came upon this great recording from waweee:. Original upload here: https://freesound. Org/people/waweee/sounds/370973/. I've edited the original to normalise it and remove bass distortion (makes it louder, clearer and more crisp). Enjoy, and waweee, feel free to seal it back and post it on your account too. Thanks again for the original.

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

All sounds were made with eastwest quantum leap instruments (hollywood strings, etc. ) there is a duduk for a taste of another world! edited in logic pro x. Check out more music at www. Empyreanma. Com/music-licensing. Credit me "joshua empyre" in your work. Don't hesitate to send me your game, video, or whatever you do with my music! i'd love to see them and potentially share them on my facebook page (empyrean media arts, llc)!.

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Placed a thick sweater fabric on a pillow and recorded me slapping it with an open hand. Great sweetener for punches. Cleaned recording with rx4. With a little bit of limiting, compression, and bass enhancement i'm sure this will sound great for your needs!. Equipment: zoom h5 and rodes ntg3. No processing. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Rain on a roof through an open window. Drops foreground are striking zinc very next to the mics. Other raindrops on the slate roof. Water falling from the gutter on a concrete floor further. Very nice thunderclap at 1'42"a low cut filter should be used to avoid some bass frequency in the wind. France, 2020listen also to "continuous thunderstorm" https://freesound. Org/people/bruno. Auzet/sounds/531041/recorded a few minutes before. Recorded with 2 clipy em172 in an ab setrecorded on sounddevice mixpre6stereo, 48khz, 24 bits.

A rifle being dropped on the floor 3 times. Very metallic-y sounding drop sound with tons of bass. This one was sort of a happy accident. I was recording some ak foley with an airsoft gun i had when i accidentally dropped it. The sound it made turned out so good that i ended up using it for this. I actually really like how this turned out. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Inspired by the hustle and bustle of a trip to europe, i made such a short project. After listening for a while, it sounds like advertising music. Maybe it seems like a cleaning product or an application can be used to advertise. For those who want to develop, i can share the sample audio files i prepared for the project. I hope you enjoy listening.

That high quality one shot you can hear in top of neurofunk tunes. Punchy snare. And this is absolutely free. Dabromusic. Comdabmus. Com. This one sanre was created special for dabromusic sample pack, which you can find on dabmus. Com and loopmasters. Com very soon. This is layering from 3 one shots + standart effect plugins of ableton live 9. All sounds was mixed in ableton live 9. 24. 12. 2014 - date of creating.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Created using lmms ( linux multimedia studio ). Here i have used zynaddsubfx for the hoover type sound and 3 instances of glitch2 vst on the drum loop that i created. There is some compression, stereo widening and side-chaining used also. ( i used a higher resolution samplerate to export this file, which created a further glitch effect on the glitch2 vst,i believe it is maybe hardcoded to 41000hz or perhaps lmms can't handle higher sample rates on vst plugins ).

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)