A sound i edited of me pouring tea. The pitch was lowered,and reverb was added, with the intent of making it sound like a deepsplash into a body of water. -----------------------------------------------------------------------this sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.
Independence day fireworks display, recorded july 2004 in tewksbury, ma. The noise floor on this one is not so good, but there are a fair number of very nice explosions, pops, and whistles. The sound of quad cycles being ridden in the distance is also audible, particularly loudly starting around the 15:00 mark.
Recording of my voice attempting a japanese kabuki noh cry. Recorded in audacity with slight reverb and simulating ohkawa clicking sticks, created because i've noticed theres very few resources for these sounds, unusual vocal sound that may be used as you wish.
A short clip of of a screaming electric guitar lick i made on my 1982 gibson les paul custom with marshall amp. It was recorded on a multi track music program, i then added chorus effect, the microphone was hooked directly to the desktop computer with reverb from a 50 watt marshall amp. This lick was played by me on my guitar.
A very old production. A simple dark ambient track, slow, brooding. It can be the dark cold regions of space, or the cobweb-filled but lifeless corners in the cellar of a haunted mansion. Mostly vst synthesizers, lots of reverb effects and eq's to shape the sound.
Mixed voices chattering in the cavernous open lobby of a multifloor medical building. One woman coughs repeatedly. Later a man laughs. Towards the end a door clicks open. Please enjoy this sample -- i got sick with a cold from recording it (probably thanks to the coughing lady).
An ambient lofi song. Feel free to remix it. You can make a loop out of this if you cut a section out of it. Feel free to visit my yt channel where i post music and more: https://www. Youtube. Com/channel/ucw2gb1h1xejderyn0xaumgw/.
Meteor sound fx, the effect was recorded playing with a cardboard and a brush, and some reverb and eq fx were added in adobe audition. Visit my youtube channel to hear my sound and musical works: https://www. Youtube. Com/c/luishumanoide.
One of the "bull" sounds i used in one play in my theatre. I recorded human voice with one of our actors using shure sm81 and popkiller. Recording software: garageband. Then processed the recordings with adobe audition cs 6, by lowering the pitch, adding reverb and distortion. Can be used as agressive bull, monster, etc.
Washed out metal clashes carried by a beating pulse; pitched metal sounds drowned in reverb, lfo with sample and hold modulation, tense atmospheric drone. Created with mother 32 and 2hp play + happy nerding fx aid, recorded on zoomh6, no post processing.
Fx of a rainstick pass by in front of microphone, different versions, doppler, very good alternative to the overused whoosh sound we ear all the time and make me go crazy, can be processed, pitched, reverbed easily, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.
Reverb heavy body blows and falls. I was sick of finding only small-sounding hits so i made these. They were made by combining and compressing / eqing other creative commons 0 freesound files, but i'm too dumb and lazy to credit them specifically. Thanks, y'all.
Couldn't find what i wanted on here so i made something. Small little chuckle detuned and heavy reverb. Not over the top, not cheesy. Just a simply horror themed chuckle. Credit would be nice. I would love to see where this gets used. But not necessary.
Recorded in the kitchen, filtred in ableton live 9. I used gate, eq, compressor (3 times), reverb, erosion and chorus. As i think, it'll be cool to use with another snare sound. The recording made on iphone 5s. Let me know if you'd like me to upload an original file without any filters.
Recorded a guitar being plucked and slowed it down to 0. 1% speed. This creates the nice initial pluck sound. Then copied and resampled the copy and slowed down again by 0. 1% speed, this time preserving the original pitch. This created the ultra-long decay tail. Added eos reverb.
Note e. Atmospheric cinematic pad. I recorded the guitar, then processed a lot of reverb and added some synth sounds. You can put it in the sampler by setting the root note to e and you will have a complete instrument. I especially like to layer on it additionally the sounds of the waves that i put on my page before.
This sound has 1 purpose. Add deep bass to everything it touches. It may be short, but every aspect was fussed over. Mcbridge played a role in the creation of mcpulse if you need a sub-1 second version. No strings attached. Use this, anything else that i upload stress free. Key: a♭ minoralt key: 1abpm 107.
Made with audacity using pitch shift to lower the percussion sounds i took from fl studio and added three times with the "small room (dark)" plugin in the "reverb" effect. Feel free to use, but please use my name in your description for credit!.
Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.
Captain, we've had reports of a strong signal emanating from the surface of klumpok b. Time to investigate. Pulsating drone from various synth samples from my analog collection. Small amount of reverb and edited/multitracked looped in roxio sound editor.
Cinematic impact. Dark, distorted, large, powerful. Original samples made using an acoustic guitar as a resonator for an electric bass, and recorded using a zoom h4n. Processing includes layering, reversing, amp simulation, distortion, delay and reverb. Recorded for my personal a sound a day challenge (asoada).
This wave file is prepared as a morphagene reel 48khz, 32 bit with markers (splices) for each sound. They're all tuned to c, they're stereo and have some reverb. It basically turns your morph into a synth voice that responds very well to 1v/oct. I am sure you're going to have fun with it.
For this sound i make a sawtooth tone with a wah wah effect and then i add a phaser to make this spawning sound. To make this sound more sci-fi, i chose to add some reverb to create more space around the sound and a fade out at the end.
Decided to record me fucking about with pedals and getting silly with the afterneath by earthquaker devices, might be a sour note here or there but it was more just me having fun with my pedals, if you use it as always let me see what you used it for!.
Binaural field recording at grand central station, nyc, recorded aug 2022. Includes announcements that highlight the massive natural hall reverb and also a walk outside in front of station with street noises. Audio is unedited and best to listen to on headphones.
Submarine sonar war - add reverb to suit. Made and inspired during a long dialog clean up session - a random 'ring' in the echo when someone yelled in a room. Snipped it out and was thinking about the 2nd world war submarine type movies and how i would like boris johnson to be torpedoed right now. :d.
My formal rendition of this sound ; ). Http://freesound. Org/people/so6er/sounds/95337/. Put it through adobe audition for tempo precision. Then, ran it through fl studio (phaser, bpf delay, reverb, compression). Then back to audition for final mastering. Please enjoy and credit. Aum.
This is a slow version of the s. G. I. Buddhist mantra nam myo ho renge kyo. It was recorded by me with my voice and a bit of echo and reverb using the audacity program. The recording device used was my computer windows xp with a very low-end microphone. I downloaded a free audacity recording program.
A luscious pad/atmosphere perfect for use in soundtrack/scoring, chillwave, liquid funk, dnb, house/progressive, breakbeats, trance, rnb, indie, synthpop, electro, ambient, idm, downtempo etc.
This sample was created by taping a razor blade to a contact microphone and allowing the blade to scrape against the edge of a record spinning on a turntable. The reverb was added in real time, so there's not a dry signal recording. Very reminiscent of tg's "hamburger lady" in some ways. Sounds like a human voice almost.
This acid loop was created in cubase 10 years ago at 112 bpm with a free vsti called rubber duck. I've added lfo filters to move the sound across the eq ranges, together with reverb and an 80s ballad amplitube effect. Compressed to equalize the output.
Tram recorded in students' hostel, through the window, from the side of the street. 2004. Single generic mic, behringer vmx 100 as a preamp, computer with sound blaster card as a recorder. Mono recording, converted to stereo using panorama envelope and reverb. 44. 1khz, 16bit.
Stretched sound, good for video games. I made the original sample in fruity loops using the reverse effect on a basic software sample sound. After that i used paul stretcher effect in audacity to stretch everything up and give it a longer feel. Also added little bit of dellay and reverb after stretching it.
Just some quick piano background for the videos, i originally used it to put on a video of some diy stuffnot so very proud of it, but i think that will do if using in a simple projects. That's why i'm giving it away for free. :) hope that helps!.
Created with a korg electribe 2 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle reverb. The manual states that it models the line6 m9 particle verb. Particle reverb. In this piece of audio the electribe only uses triangle oscillators. Here's a video showing the setup: https://youtu. Be/zytc4gofwmq. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.
This is a sample of a classic (diy) dubsiren build by me. Its a squarewave synth modulated with a squarewave lfo. The sample is dry. Add delay and some chorus, reverb, (resonant) (auto) filter or so to get the typical dubby soundsystem style.
The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).
Police ordering crowd to disperse using bullhorn. Heavy reverb. Reading the riot act based on a transcript of actual riot act reading at in canada. I know, hard to believe but it happens sometimes. This would be played on a loop prior to and during police dispersal of a crowd this is a re-creation.
This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.
A simple chromatic sfx i made for a title screen. Can be used for power-ups, jumps or other ideas. Normally would strictly be an 8 bit sound, but with the reverb it can pass for something from the snes era. This is part one of two. The next file is the same thing with a higher pitch.
Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.
Extracted from camera recorded content, tidied up with audacity mono and noisegate. . . I also listen for problems and cherry pick to avoid weird sounds. . No rubbish dry sample. If you want to use these sorts of sounds (good for games or video), remeber adding reverb back is the trick to making the sound big again.
I build it in fl studio (32bits) with the soundfonts plugin (the soundfont used was "sgm")overdubs were done with a "strings" sample and the rest was just the pure instrument with eq and reverb. (it also includes a subtle piano and choir).
Testing an old roland synthesizer from the seventies, system 100 model 101. With some added reverb and delay effects. High resolution 32 bits, 44,1 khz wav file. Some pots are a little scratchy sometimes, but…it’s an old lady!use it entirely or in parts. Please let me know. Thanx.
A rendition of this sound:. Http://www. Freesound. Org/people/kollege/sounds/8153/. Just ran it through abelton live. 1. Autopan/gate 2. Erosion 3. Eq eight 4. Ping pong 5. Reverb 6. Compressor (all automated). Please enjoy.
Sampled sound recorders alto yamaha yra-302biii (production in japan) processed reverb program wavelab 6. Sample recorded using a condenser microphone, oktava mk-220 and sound card m-audio 18/14 firewire.
Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.
